Who knew choosing the cover for a book titled Dying for a Daiquiri would be more controversial than the debate over the location of the Kings’ basketball team? After reading the blog and Facebook comments regarding my four diverse cover selections, I have far more sympathy for Congress. And that’s as political as this blog will get.
I am extremely grateful that over 350 people took the time, not only to select their favorite cover, but also to analyze all of them. I loved the diversity of the comments. Oddly enough (or not), the only consistent trend was that 48 out of 50 men voted for option four – the cover my designer and I titled “Legs.” Go figure.
A number of authors commented that the use of chalk body outlines or crime scene tape was somewhat cliché. Yet readers in this informal survey frequently suggested I add one or the other to covers one and three, so they would know the book was a mystery.
One thing is certain. Whether it’s in paper or e-book form, people do care about cover art. The cover is not just the lure that draws them to research a book further, but it needs to represent the author’s work.
All of these comments helped me recognize what I offer to my readers, which is what one reviewer referred to as “feel-good humor.” After someone reads one of the books in this series, my hope is that she or he will be smiling for the rest of the day. I’m even happy with comments such as this: “It’s Cindy Sample’s fault I feel like crap because I couldn’t stop reading Dying for a Dance until I finished at 3 AM!”
It is now time for the big reveal. Although cover # 1 was not my initial favorite, it was the winner, and I realized it best demonstrates what I wish to convey to readers. Thanks to specific suggestions from Linda Townsin, Ingrid Lundquist, Jan Hudson, Vinnie Hansen, Sue Trowbridge, Robin Burcell and Caitlin Alexander, cover artist Karen Phillips has tilted, torqued and tweaked this cover to death. We can now reveal the latest Laurel McKay mystery, Dying for a Daiquiri.
Thanks to the hundreds of people, too numerous to mention, who suggested we change the glass featured in cover one. My lengthy research (big loopy smile here) determined that daiquiris are served in every type of glass you can name. But the deadliest daiquiri should definitely be the most delicious looking. Wouldn’t you agree?
Leave a comment by midnight June 6th (we’re still accepting suggestions) and you’ll be entered in a drawing to get a free copy of DYING FOR A DAIQURI when it’s released in September.
Mahalo to one and all.